Happy Birthday to Steve Winwood who celebrates his 71st birthday on Sunday (May 12th)!!! Winwood has been a working musician nearly all of his life having joined the Spencer Davis Group band in 1963 at the age of 15. Two years later, the band released their debut album, titled Their First LP. Though Spencer Davis led the band, Winwood was the group's unmistakable star, and hits like “Gimme Some Lovin'” and “I'm A Man” established Winwood, then called “Little Stevie Winwood,” as one of the most popular singers in Britain, and was often referred to as the “white” Ray Charles.
In 1967, he quit the Spencer Davis Group to form the more experimental Traffic with former Spencer Davis Group roadie Dave Mason, Jim Capaldi and Chris Wood. The group released two albums before breaking up. Winwood then hooked up with former Cream members Eric Clapton and Ginger Baker, as well as former Family member Rick Gretch, to form the short-lived supergroup Blind Faith. That band lasted less than a year, after which Winwood reformed Traffic.
By 1977, Traffic had split again and Winwood kicked off a more pop-oriented solo career, racking up numerous hits over the next decade, with such songs as “While You See A Chance,” “Talking Back To The Night,” “Back In The High Life,” “Higher Love,” “The Finer Things,” “Valerie,” “Freedom Overspill” and “Roll With It,” among others.
In 2008 Winwood released his first new album in five years, called Nine Lives. The album received good reviews and featured Clapton's guitar work on the lead single “Dirty City.”
In 2009, Winwood and Clapton released the deluxe CD/DVD Clapton & Winwood: Live From Madison Square Garden. The set, which features tracks recorded during the pair's two-date New York City stand in February 2008, includes such favorites from Blind Faith's first and last album, including “Had To Cry Today,” “Presence Of The Lord,” “Sleeping In The Ground” and “Well, All Right.”
The duo tears through the Clapton classics “Forever Man”, “Cocaine,” “Double Trouble” and “After Midnight” — along with such Winwood and Traffic favorites as “Dear Mr. Fantasy” “Glad,” and “Pearly Queen.”
In 2012, Winwood's second solo album, 1980's Arc Of A Diver, was given the deluxe reissue treatment including a second bonus disc including rare tracks, along with the BBC Radio 2 documentary entitled Arc Of A Diver: The Steve Winwood Story.
In September 2016, Steve Winwood released his latest live collection, Winwood Greatest Hits Live, which features healthy doses of his timeless work with Traffic, Blind Faith, the Spencer Davis Group — alongside his own classic solo hits.
The tracklisting for Winwood Greatest Hits Live is: “I’m A Man,” “Them Changes,” “Fly,” “Can’t Find My Way Home,” “Had To Cry Today,” “Low Spark Of High Heeled Boys,” “Empty Pages,” “Back In The High Life Again,” “Higher Love,” “Dear Mr. Fantasy,” “Gimme Some Lovin',” “Rainmaker,” “Pearly Queen,” “Glad,” “Why Can’t We Live Together,” “40,000 Headmen,” “Walking In The Wind,” “Medicated Goo,” “John Barleycorn,” “While You See A Chance,” “Arc Of A Diver,” “Freedom Overspill,” and “Roll With It.”
Although Winwood recently wrapped a sold-out solo theater tour, we asked him if he's at all worried that his solo gigs will be overlooked after becoming the go-to-guy opening act for such A-list peers as Rod Stewart, Santana, Tom Petty & The Heartbreakers, and Steely Dan: “It's interesting. Y'know, I think there's something to be said for both. And then of course before that I was out with the Tom Petty tour, which was a success. But I think it was . . . I think it worked in conjunction with my shows. I wouldn't like to think that that was the only thing I was doing. I still like the idea of doing my shows as well. So, I think it sort of broadens the view of my music, I should think.”
Steve Winwood explained to us that although he knows his setlists need to feature his classics with the Spencer Davis Group, Traffic, Blind Faith, not to mention on his own — that doesn't mean he has to turn into a traveling jukebox on the road: “Obviously when I play live shows, I'm expected to play a lot of things. I mean, if I don't play something from some particular era, I mean the (online) messages fly around, so there's a regular amount of things I generally have to play. So, what I've tried to do, and with the people in the various bands I've played (in), is we try to reinvent some of the songs that I'm known for and expected to play. Partly, it's more interesting to us and we hope its more interesting to the listener.”